![]() ![]() ![]() A Horror Horn or something to let you know it’s coming. Still, the cardboard version is so startling it should have really come with a warning. Admittedly, we’ve already seen Crawford herself, who is scary-looking already at this pre-horror-movie point in her life, with what Fiona called “apricot hair” and pretty much an apricot face too. But this led to us running TORCH SONG, in search of some real Crawford kitsch, and my Christ it delivers. I should say that Fiona quite enjoys the show, and is reading Bette & Joan: The Divine Feud. I think, in a show about actresses battling industry ageism, keeping the actual ages of the participants clear is important, and shouldn’t be thrown into confusion for the sake of, basically, a mean joke.Īlso, it’s one of those shows that’s wall-to-wall exposition - writers of fact-based stuff today seem to struggle with delivering information convincingly. She’s been a fan of yours since she was a little girl.” Joan Crawford was in her mid-fifties. Without encouraging lazy artistes who steal from such avenue, the fact still remain, as long as you are yet to do the right thing by publishing the song or registering the right to the song, it will be hard for you to defend the facts that your song is stolen.Really not impressed with Feud, Ryan Murphy’s miniseries about the Bette and Joan conflict on and around WHATEVER HAPPENED TO BABY JANE? One expects the thing to be camp and trashy, and that’s fine, I guess, but does it have to be so tone-deaf, so inaccurate? It was inevitable it would seize on every rumoured ruction from the set of that film, but the weirdly OFF stuff just keeps striking me - the young actress who asks for an autograph from Joan (Jessica Lange) and then says, “It’s for my grandmother. It will even be super funny to think because you brought an idea during a free-style session, that certifies you as the rightful owner of the song. In a country as ours where it’s very difficult to distinguish how the likes of Wande Coal, Wizkid, Davido actually write their song (they all sound –alike and often talk about same topics) because they all seems to write from the same scripts, it will be difficult to defend the written styles or terminology of artistes. ![]() Has any of the disputed song ever gone on air and the disputed part of the song evidence to the general public that it was stolen? ![]() Within COSON and NCC (Nigeria Copyright Commission), which of these artistes actually secured the rights to their song with any of the two regulating associations for copyrights matters?. If we decide to shift attention from the disgraceful scene created by Wizkid and Dammy Krane when they pronounce their shameful ways of owning some street in lagos to the point of throwing bottles at each other at a Nightclub, let focus on the legal aspect of things. Now let’s get to the point, let’s imagine there are several songs in dispute over copyrights infringements, the nagging question is, who is the thief? Who actually owns the song? Where was the song registered to the so-called artiste? It’s in need of proper analyses by the media but like usual, the multitude will prefer to break the news, publish every sound bites without properly educating their various audience and maybe by so doing, they could educate the artistes participating in the so called drama. With Blackface, defunct member of the Plantashun Boiz joining the circus with his accusation about how Wizkid and 2face stole his song or song idea, this particular drama is in need of a better synopsis beyond that portrayed in the media. In layman’s terms, the song theft issue between Wizkid and Dammy Krane needs better understanding. In the past few weeks, the music industry is in topsy-turvy.Īs this season of beef among fellow celebrities continue to gather momentum, one of the issues that did catch my curiosity is that of the copyrights infringement. ![]()
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